Londra ‘82, 1982
Wood and paint, 37x30x39 cm
Mauro Staccioli Archive Museum, Volterra
The City of Milan, in collaboration with the Arts Council of Great Britain, brought an exhibition on the last twenty years of Italian art to London at the end of 1982. Invited to the exhibition by a commission composed of Guido Ballo, Renato Barilli, Flavio Caroli, Vittorio Fagone, Mercedes Garberi and Roberto Sanesi, Mauro Staccioli immediately explored various formal possibilities for the intervention. He finally decided to place a precariously balanced triangle on the roof of the Hayward Gallery, the exhibition site. For the first time, Staccioli uses the oxide red color that would soon have become a peculiarity of his work; by doing so, the sculpture, protruding from the parapet, acquires such visibility that it becomes the symbol of the exhibition itself. Moreover, the studies for the placement translate the need, typical of the sculptor, to relate the plastic sign to the architecture and urban context.
©Ela Bialkowska Okno Studio. Courtesy Archivio Mauro Staccioli.
L’Archivio Mauro Staccioli ha collaborato con la Bibliotheca Hertziana – Max Planck Institute di Roma per la digitalizzazione dell’intero corpus documentario afferente ai lavori realizzati o ipotizzati dall’artista, dall’inizio della carriera fino al 1988. Si ringrazia il fotografo Enrico Fontolan, il Digital Humanities Lab e il Fondo Fotografico della Bibliotheca Hertziana per l’enorme lavoro svolto. Tutto il materiale è consultabile online cliccando qui.